Oscar night, the most loved and hated in the business of
show. It’s the A-Listers dressed to impress, dawning the red carpet and talking
to reporters. It’s the speeches, some where the recipient hogs the floor. Of
course there is the crying, and the hope they wear water proof mascara.
However, never watch the Oscars in a room full of New York
actors. Did I say actors? I meant unemployed wannabes kvetching about how it’s
not them on the red carpet. How they are not working. How they went to college
with so and so and they weren’t that good. How so and so has no talent. And
then there is always the nut that cries mid-show about their dreams not coming
true. New York actors have ruined Oscar night for me.
In the past I always left the party drained, depressed, and
painfully aware of how broke I was. It got to the point where I would just skip
the Oscars. That is, until recently.
Two weeks ago was one of those weeks where the wear and tear
of the last several months have caught up with me. I won’t get into detail, but
there has been a lot going on. However, at the same time I now have an
incredible individual guiding my career and have had some of my dreams
materialize. Still, the bad has been nothing short of a dark and lonely hell.
It has made me wonder if my dreams would ever materialize. So when Tony, a guy
I am dating, invited me to see some Oscar shorts the only thing out of my mouth
was a bunch of swear words as I delayed answering his email.
It was a reminder that I had faced a retaliatory eviction.
It was a reminder that I had a cancer scare. It was a reminder that through no
fault of my own I had to replace most of my belongings. It was a reminder that
life had seriously sucked. However, dating is a diversion and I decided to go
see some animated shorts.
Tony ended up taking me for oatmeal at a niche eatery and we
smuggled it surreptitiously into the theatre. We watched various Oscar
nominated shorts from around the world, many adorable and some sad. However,
one name caught my attention. That was the name of Bill Plympton.
Bill Plympton is featured in the first edition of SPAZ
comics with me. You see, Bill is a legendary and awesome film director. His
strip is a few pages from mine, yes the one with May Wilson and I being a crime
fighting ventriloquist duo. As I saw his name I felt a flood of emotions. I
felt envy of course. Then there was the self-conscious realization that he was
nominated and I felt slightly less than. Finally there was the damn, I am in a
comic book with an Oscar nominee. This is freaking awesome.
I AM IN AN INDIE COMIC BOOK WITH AN OSCAR NOMINEE!!!!
All of a sudden I felt as if I was really cool for a wrinkle
in time. Not just to share comic book space with such a talent, but also that
perhaps an Oscar wasn’t as far away as I thought it was.
I nudged my date. “I am in a comic book with Bill Plympton!”
I exclaimed.
“Nice.” Tony said. Of course, Tony holds a Guinness Book
Record like I do. Bernie Goetz and Kristin Davis are personal friends. Nothing
surprises him anymore.
The same feeling of pride swelled over me as when I saw my
book on the same shelf as Junot Diaz, Ophira Eisenberg, and Anne Frank. It was
published through an indie press. Yes, my little I Came, I Saw, I Sang on the
same shelf as a MacArthur Fellow, a woman who sold her book to Hollywood, and a
young diarist who’s words not only immortalized one of the worst tragedies of
the 20th century, but one who never lost hope in humanity despite
all she had to endure. Yes, it was all intimidating company, but it was also
the realization that someday I might be just as good.
And now my company was someone nominated for an Oscar. WOW.
I went from being in an awful mood to being excited about the Oscars. We all
should be.
Around that time I was asked by my old station director to
do a tribute video about BPTV. Apparently it was the 20th
anniversary of the station. I was so young when I was there, just a kid. At the
same time, it was a lot of fun and I learned how to even be on television let
alone how to collaborate. It was a family.
The opportunities led me to send my VHS tapes of Storytime
with April and Friends around the world in high school. On a shoe string
budget, my show where my puppets and I read bedtime stories to children was
aired in 36 states and 6 foreign markets. We also made the NYC TV Guide and
were the first American program in the South Korean Public Television Library.
Even when I embarked on a career performing ventriloquism in
the park, people who had come to New York to chase the same dream remembered
seeing me on their public television stations and labeling my tapes. I kept
some of those connections who were quite helpful too. Connections I wouldn’t have
had otherwise.
Not to mention I have been on television quite a bit not
just in the United States but all over the world. Each and every time I have
known what to do and people have spoken about how “professional” I was. Truth
be told, I just had a good training ground. That’s all.
This past year, one of the blessings was my children and I
got press around the world. Some of it was people knew who we were because of
our time sending out VHS’s on a shoestring. Some of it was the dedication I
have to my family and craft. Some of it is you never hear of a woman leaving a
man for a bunch of puppets.
As the story hit headlines in every reach of the globe, I
meant journalists from literally everywhere. Some worked with major press
agencies, others for indie publications. The ones who worked for indie
publications were just like me, those kids who’s mother’s were collecting their
writing. And now here they were cracking a story in America. Each and every
time I was blown away by their talent and command of description. (I don’t want
to say English because it is arrogant and rather American stupid assuming
everyone speaks English). I couldn’t help but compliment them. And let me tell
you, each of them shyly told me it was nice to hear. One even admitted that he
was currently trying to publish a novel and wanted to turn it into a film.
Another thing that happened this past year was The Break Up,
I did puppet work for, was nominated for
a Project Greenlight Greenie Award. This was a big deal. Yes, it was a
festival affiliated with HBO and sponsored by Ben Affleck and Matt Damon. I
remember the excitement we felt, because this was up there with Tribeca,
Sundance, Independent Spirit. (Okay, not quite Independent Spirit but this was
a big deal). This was my first big award nomination for anything I had ever
done. Even though we didn’t win, it was still exciting and it still meant that
something I was a part of mattered to someone. That something I contributed to
was being watched. That I wasn’t just some dork who played with puppets.
The arts are a career choice like no other. It’s not like
being a doctor where everyone is excited when you articulate your ambition.
Rather they are biting their lip and hoping you grow out of your impulse like
the Vans sneakers in your mom’s garage. Even teachers and professors you have
teaching you give you the news that yes, you will probably fail. This is a
career that if you embark on it, you know that your teachers are correct,
failure is a strong possibility. Ten percent employment rate at any given time.
So when people see that obnoxious kid who wants to be in front of the camera,
that weird writer kid who has an idea for a book or script, or the annoying kid
with the camera phone, they try their damnest to discourage them.
This is why each town needs a public television station. So
that obnoxious kid can see whether or not they even like being in front of the
camera. Where that weird little writer kid can make his script come to life and
see if it even has life. Where that annoying kid with the flip cam can learn
how to use a real camera and see if he really wants to do this. Where they can
be supported and fail safely as well as succeed beautifully. That way, those
kids have an outlet and those kids can have a plan.
This is why we need independent film festivals, too. That
way the outgoing kids can be a part of a film as it comes to life, yes the one
written by the weird writer kid. And that annoying kid with the flip cam can be
the visionary who ties the whole thing in a pretty little package. When we see
these ideas on the big screen, we marvel at their creativity. We gasp. But they
were just youngsters who started out with a dream and a big idea.
Artists aren’t mere entertainers but storytellers. They need
to talk about what is good, but what is bad. This is their way of reminding us
of our history so we are not doomed to repeat the horrors of the Holocaust,
segregation, or any other form of human failing. This is why the world needs
artists. They make us laugh, they make us cry, they make us think, but
ultimately they use their own unique voices to stop bullying in it’s tracks.
Now what would the world be without the arts?
So tonight, as you watch the Oscars, do not think of it as a
parade of the Hollywood elite. As a nonworking actor, do not grimace that it’s
not you. Instead embrace the success of art and think if you keep going it
might be you. Also know that each of them at one time was an obnoxious kid who
wanted to be in front of the camera. That they were a weird writer kid who’s
mother’s attic is still filled with their badly written angst poetry. That they
were the annoying kid with the flip cam who everyone wanted to smack. Tonight
is their night. They paid their dues. They were made to believe by a great many
it would never happen, so much so that they spent a lot of time crying
themselves to sleep. Their families prayed at every church and temple for the
success of their lost artist son or daughter. And now they are here. So if you
have an artist family member, watch and support for them.
But before all that they were indie. They were throwing an
idea at a wall seeing if it would stick. And they kept going. Today’s indie is
tomorrow’s mainstream whether it is a comic book, novel, film or television show.
That being said, good luck tonight, Bill Plympton.
